SDCC 2026 : Iron Studios dévoile une nouvelle gamme impressionnante d'objets de collection

Iron Studios used San Diego Comic-Con 2026 as a broad showcase for its expanding collectibles catalog, filling Booth #1815 with statues and stylized pieces drawn from Marvel, DC Comics, Dungeons & Dragons, Masters of the Universe, Disney animation, The Lost World: Jurassic Park, Poppy Playtime and cult cinema. The setting was particularly appropriate: Comic-Con International officially ran July 23-26 at the San Diego Convention Center, after Preview Night on July 22, with the venue estimating attendance at 135,000. Iron Studios confirmed after the convention that a substantial group of its SDCC reveals had moved directly into pre-order, turning the booth from a simple exhibition into a preview of products collectors can actually reserve.

Avengers: Doomsday puts Doctor Doom at the center of the Iron Studios display

The clearest centerpiece was the new Avengers: Doomsday collection. Iron Studios officially unveiled multiple Doctor Doom interpretations alongside Magneto and Professor Xavier, reflecting the unusually large Marvel ensemble surrounding the film. At the top end sits Doctor Doom – Avengers: Doomsday – Legacy Replica 1/4, a numbered, hand-painted polystone statue with a light-up feature and interchangeable arm. Iron Studios lists it at 26.7 inches high, 18.2 inches wide and 18.3 inches deep, with an expected Q2 2027 release window. Its ruined diorama base, armored textures, hooded cloak and imposing quarter-scale format make it less a conventional figure than a centerpiece designed to dominate a display.

Marvel expands from Infinity Gauntlet to Spider-Man: Brand New Day

Marvel’s presence extended well beyond Avengers: Doomsday. Iron Studios’ SDCC announcements included Iron Man – Infinity Gauntlet Diorama – BDS Art Scale 1/10, Spider-Man vs Hulk – Spider-Man: Brand New Day – Art Scale 1/10 and Daredevil & Elektra – Marvel Comics – Diorama 1/6. The Spider-Man and Hulk confrontation is especially substantial for a 1/10-scale release: Iron Studios opened it for pre-order as a full action diorama rather than two isolated character statues. Together with the larger Daredevil and Elektra piece, the selection showed how the manufacturer is increasingly using connected scenes and environmental bases to sell a recognizable comic-book moment rather than simply a character likeness.

Absolute Wonder Woman gives DC Comics a striking new centerpiece

DC Comics was represented by Wonder Woman Absolute – DC Comics – Art Scale 1/10, based on the heroine’s redesigned Absolute-universe incarnation. Iron Studios describes the hand-painted polystone statue as a combat-ready interpretation emphasizing the character’s armor, traditional weapons and more imposing warrior silhouette. The official product measures about 10 inches high, 6 inches wide and 4.8 inches deep, and is scheduled for Q2 2027. Its presence also gave the booth a useful counterpoint to the Marvel-heavy material: instead of revisiting a familiar cinematic costume, the statue translates a comparatively recent comic-book redesign into three dimensions.

Dungeons & Dragons enters the Iron Studios catalog with the Beholder

One of the most notable franchise expansions was Dungeons & Dragons. Iron Studios introduced the Beholder – Dungeons & Dragons – Icons, using one of tabletop fantasy’s most instantly recognizable monsters as an entry point into the license. The choice is a natural showcase for sculpture: the floating creature’s enormous central eye, tooth-filled maw and crown of eyestalks create a silhouette that is recognizable even at a distance. Iron Studios’ post-SDCC catalog lists the Beholder among the convention’s newly opened pre-orders, making the reveal more than a prototype tease and establishing Dungeons & Dragons as a new collectible territory for the company.

She-Ra, Jurassic Park, Disney and cult cinema broaden the SDCC lineup

The booth’s strength came from its range. She-Ra Unleashed – Masters of the Universe – Art Scale 1/10 brought the Princess of Power into the latest wave, while Stegosaurus – The Lost World: Jurassic Park – Icons continued Iron Studios’ long relationship with cinematic dinosaurs. The Stegosaurus is a hand-painted polystone piece measuring roughly 18.3 cm high, 31.7 cm wide and 14.7 cm deep, with an expected Q2 2027 release. Disney animation was represented by Quasimodo – The Hunchback of Notre Dame – Art Scale 1/10, while Edward Scissorhands joined the MiniCo range in PVC; Iron Studios lists that stylized figure at 5.6 inches high with a Q4 2026 release window. Huggy Wuggy from Poppy Playtime added a modern video-game horror presence to an already eclectic display.

Why the Iron Studios SDCC 2026 presentation mattered for collectors

What made the 2026 showing effective was not simply the number of licenses, but the range of formats and price tiers implied by them. A quarter-scale Legacy Replica such as Doctor Doom targets premium collectors with the space and budget for a major centerpiece, while MiniCo releases such as Edward Scissorhands offer a smaller stylized entry point. Between those extremes, the 1/10 Art Scale format remains the backbone of the catalog, supporting characters and dioramas across Marvel, DC and Masters of the Universe. The result was a booth that could speak simultaneously to MCU followers, comic readers, tabletop gamers, animation fans, dinosaur collectors and devotees of cult movies.

Iron Studios leaves SDCC 2026 with one of its broadest lineups yet

San Diego Comic-Con 2026 ultimately functioned as both a reveal platform and a commercial launchpad for Iron Studios. Doctor Doom and Avengers: Doomsday supplied the obvious headline attraction, but the Beholder’s arrival, Absolute Wonder Woman, She-Ra, the Stegosaurus, Quasimodo, Edward Scissorhands and Huggy Wuggy prevented the presentation from becoming a single-franchise display. With pre-orders opening around the convention and release windows stretching into 2027, Booth #1815 offered a practical roadmap of where the Brazilian collectibles specialist is heading next: larger cinematic centerpieces, scene-driven Marvel dioramas, continued nostalgia, and an increasingly diverse group of entertainment licenses.

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Photos : Boris Colletier / Mulderville