Tous les evenements couverts

Los Angeles, 21 december 2016

  • Interview

    Daniel Pemberton’s interview for Gold and his career

    “Trying to record a complicated film score is sometimes like playing a very crap version of Battleships..” - Daniel Pemberton Q: what is your musical background and how did you become a film composer? Daniel Pemberton : I started making strange electronic music in my bedroom when I was very young and through that I started writing TV ... I got asked by a director to start doing his TV shows while I was still at school, just did a million TV...

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Los Angeles, 10 december 2016

  • Interview

    John Hawkes’s interview about his work on Too Late and his career

    Q: In you past career you have worked with John Flynn, for "Nails", Frank Marshall, "Congo", Robert Rodriguez, for "From Dusk til Dawn", Brett Ratner, "Rush Hour", Michael Mann, Ridley Scott, Wolfgang Petersen, Steven Soderbergh, Steven Spielberg. How do you choose the films in which you work? John Hawkes: Well, early on in my career I did not have a lot of choice. I needed to pay rent so I often took any job that came along. Later on, once I...

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Los Angeles, 01 december 2016

  • Interview

    Lorraine Feather’s interview about Rules don’t apply and her career

    Q: You have worked on three albums with the trio Full Swing. What are your best memories from your collaborations? Lorraine Feather : It was really fun performing onstage with Full Swing. I love singing harmonies, which in recent albums I’ve been doing myself with overdubs! Mostly, however, this was the period during which I began writing lyrics as my primary focus. The first complicated lyric I wrote was for the original Full Swing...

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Los Angeles, 01 december 2016

  • Interview

    Eddie Arkin’s interview about Rules don’t apply and his career

    Q: You have worked as producer, arranger and songwriter of music for films such as The Mask (1994), My Best Friend's Wedding (1997), What Women Want (2000), Unconditional Love (2002), Peter Pan (2003), and also on TV series such as Melrose Place (1995-1999) and Titans (2000-2001). How do you choose the projects on which you work? Eddie Arkin : If I think my particular musical strengths are a good fit for what is needed by the filmmaker, then...

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Los Angeles, 24 november 2016

  • Interview

    Moonlight : Let's talk with Nicholas Britell

    Q: What is your musical background, and how did you become a film composer? Nicholas Britell : I started playing the piano when I was five years old. I had seen the movie Chariots of Fire, and we had a very old upright piano in our apartment. I loved the music so much that I went to the piano and tried to figure it out, and I asked my mom for piano lessons. That is really when I started playing the piano, and that's also in some ways maybe...

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