Music By John Williams

Music By John Williams
Original title:Music By John Williams
Director:Laurent Bouzereau
Release:Disney+
Running time:105 minutes
Release date:01 november 2024
Rating:
Documentary about iconic film composer John Williams.

Mulder's Review

Laurent Bouzereau's documentary film Music by John Williams is both a vibrant tribute and an intimate exploration of one of cinema's most iconic composers, John Williams. Known for creating soundtracks that have transcended individual films to become cultural anthems, John Williams' work encompasses a legacy that Laurent Bouzereau thoughtfully honors in this documentary. From the visceral simplicity of Jaws to the complex notes of Schindler's List, Music by John Williams aims to capture both the breadth and intimacy of Williams' contribution to film music.

The 105-minute documentary adopts a traditional biographical structure, beginning with John Williams' formative years. Born into a family steeped in musical tradition, John Williams was immersed in jazz and orchestration from an early age. The film traces his early ambitions as a jazz pianist and studio musician, before becoming the revered composer we know today. Laurent Bouzereau meticulously illustrates John Williams' creative process, capturing the painstaking precision with which he translates his ideas onto paper - a testament to his dedication to analog composition in an increasingly digital age. This commitment to craftsmanship, the central theme of the documentary, underscores Williams' belief in the permanence of orchestral sound over synthetic approximations.

The documentary naturally focuses on John Williams' most remarkable collaborations, in particular with Steven Spielberg and George Lucas, whose cinematic visions were indelibly shaped by Williams' music. Steven Spielberg, a frequent collaborator, gives an overview of their historic partnership, which began with The Sugarland Express and flourished with Jaws, E.T., Jurassic Park and Schindler's List. Steven Spielberg describes his first encounter with John Williams' score as transformational, marking a paradigm shift in his approach to film music. These anecdotes not only underline the symbiotic relationship between director and composer, but also illustrate how integral John Williams' compositions are to the emotional and narrative texture of Steven Spielberg's work.

Laurent Bouzereau's narrative is punctuated by sequences showing the impact of John Williams' music through film clips, rehearsal sessions and even live performances at venues such as the Hollywood Bowl. These scenes highlight Williams' enduring popularity, underscored by the sight of spectators brandishing lightsabers in tribute to his Star Wars scores. The documentary features several before and after moments, presenting film scenes without John Williams' score, followed by the same scenes with his compositions. These sequences highlight the weight of John Williams' music on cinema, amplifying emotion, suspense and atmosphere in a way that is uniquely his own.

One of the film's most moving sequences revolves around the personal tragedies that have influenced John Williams' life and, by extension, his music. The sudden loss of his first wife, Barbara Ruick, left an indelible mark on the composer, imbuing his scores with a subtle, often melancholy depth. Yet, as Laurent Bouzereau demonstrates, John Williams' grief was channeled into his work, particularly in the poignant compositions for films like Schindler's List and Saving Private Ryan. Although the documentary touches briefly on this aspect, it often prioritizes Williams' professional milestones over his personal struggles, opting for a celebratory tone rather than an in-depth investigation of the man behind the music.

One of the highlights of Music by John Williams is its collection of testimonials from an impressive number of industry figures, including George Lucas, J.J. Abrams, Ron Howard and Kathleen Kennedy. Musicians such as Itzhak Perlman and Yo-Yo Ma share their experience of performing Williams' compositions, evoking the technical and emotional demands of his scores. However, Laurent Bouzereau's choice to rely heavily on directors and producers, rather than fellow composers such as Hans Zimmer or Alexandre Desplat, limits the documentary's exploration of John Williams' influence on his peers. Instead, the film conveys the effect of John Williams' music through the lens of the filmmakers, affirming his reputation but somewhat limiting a deeper analysis of his methods and musical philosophies.

Coldplay's Chris Martin makes an interesting observation, calling John Williams the greatest pop star of all time, underlining the universal appeal of his work. It's true that John Williams' music has permeated popular culture as few classical compositions have, transforming cinema into a shared musical experience that is both accessible and profound. His themes are instantly recognizable, a testament to his talent for creating memorable melodies that resonate with audiences of all generations.

In the second part of the documentary, Laurent Bouzereau explores John Williams' role as conductor of the Boston Pops Orchestra, where he initially met with skepticism from musicians who regarded film music as a less important art form. John Williams' subsequent success in this role, however, illustrates his influence on the fields of film and classical music, bridging a gap that had long existed between the two. This dual impact is an important aspect of John Williams' legacy, underlining his role in revitalizing orchestral music within popular culture and consolidating his position as an interdisciplinary icon.

While Music by John Williams celebrates the composer's legendary career, it sometimes feels limited by its reverential tone. Laurent Bouzereau's adoration for his subject is palpable, which, while understandable, sometimes prevents a more nuanced exploration of Williams' life and creative philosophy. For example, the moments devoted to John Williams' approach to melody and leitmotif could benefit from a more detailed examination of his technical choices, offering music aficionados a richer understanding of his genius.

Music by John Williams is a tribute to a maestro whose music has defined the emotional landscapes of countless films. Laurent Bouzereau has created a film that, while not revolutionary in its ideas, succeeds in celebrating the man whose scores have woven themselves into the fabric of cinema and collective memory. For fans of John Williams and for those whose cinematic experience has been shaped by his music, the documentary offers a comforting, if sometimes superficial, look at a remarkable career. The documentary's enduring achievement is to remind audiences of the power of music, as John Williams himself put it, to transform cinema into an art form that transcends time.

Music by John Williams
Directed by Laurent Bouzereau
Produced by Sara Bernstein, Laurent Bouzereau, Justin Falvey, Darryl Frank, Brian Grazer, Ron Howard, Meredith Kaulfers, Kathleen Kennedy, Frank Marshall, Steven Spielberg, Justin Wilkes
Starring John Williams, George Lucas, J.J. Abrams, Ron Howard, Kathleen Kennedy, Steven Spielberg
Edited by Sierra Neal, David Palmer, Jason Summers
Production companies : Lucasfilm, Amblin Documentaries, Imagine Documentaries, Nedland Media
Distributed by Disney+
Release dates : October 23, 2024 (AFI Fest), November 1, 2024 (France, United States)
Running time : 105 minutes

Viewed on November 1, 2024 on Disney+

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