Vincent must die

Vincent must die, Stéphan Castang's first film, is a Franco-Belgian thriller that skilfully blends elements of black comedy, horror and thought-provoking social commentary. With an outstanding performance from Karim Leklou in the lead role, the film takes audiences on a rollercoaster ride through a world where trust is shattered, violence is omnipresent and the line between friend and foe blurs in an uncertain, haunting landscape.

The film introduces us to Vincent, a seemingly ordinary and banal man, whose life takes a surreal turn when he becomes the target of violent attacks from those around him. From co-workers to strangers on the street, everyone who makes eye contact with Vincent succumbs to an irresistible urge to kill him. As he navigates this nightmarish reality, Vincent's sense of security and trust in others disintegrates, leaving him isolated and vulnerable.

Karim Leklou's portrayal of Vincent is a tour de force, capturing the character's vulnerability and helplessness with nuance and authenticity. Leklou's puppy-dog expression and subtle gestures evoke both sympathy and intrigue, making Vincent an endearing protagonist despite his fantastic circumstances. Thanks to his outstanding performance, we are drawn into Vincent's desperate struggle to understand his situation and survive in a world that seems determined to destroy him.

The film's premise, though seemingly absurd, cleverly serves as a metaphor for the anxieties of our modern society. Vincent's experiences reflect the growing paranoia and mistrust that permeates contemporary culture, where a simple glance can degenerate into violence, and fear of others becomes a palpable threat. In an age marked by growing social division and individualism, Vincent Must Die is a warning of the consequences of losing empathy and compassion for our fellow human beings.

As Vincent's isolation intensifies, the film explores the impact of violence on both victim and perpetrator. The attacks on Vincent, which range from the horrific to the darkly comic, illustrate the suddenness and unpredictability of aggression in human nature. The film raises questions about the fragile nature of society, and how easily it can be disrupted when violence becomes the norm.

While the film excels in its depiction of Vincent's plight, it falters slightly in its romantic subplot with Margaux (Vimala Pons), the woman who seems immune to the violent impulses surrounding him. Although Pons delivers a solid performance, the chemistry between Vincent and Margaux isn't entirely convincing. Nevertheless, their interactions offer moments of tenderness amidst the chaos, reinforcing the film's underlying message about the need for human bonds in times of crisis.

Stéphan Castang's directorial choices are commendable, as he deftly balances tension, humor and social commentary throughout. The film's pace maintains the audience's attention, building gradually to a climactic, action-packed ending that leaves a lasting impact. The use of pulsating electronic music reinforces the film's atmosphere of suspense, accentuating the sense of imminent danger lurking around every corner.

Vincent Must Die stands out for its innovative approach to the thriller genre, leaving audiences with much to ponder long after the credits roll. The film's ability to blend thrilling action, biting humor and deep exploration of human nature makes it a remarkable addition to the festival circuit. Its unflinching examination of the erosion of trust in society and the consequences of uncontrolled violence resonates deeply, leaving viewers with a haunting reminder of the importance of empathy, compassion and the power of human connection.

Vincent must die
Directed by Stephan Castang
Produced by Thierry Lounas, Vincent Maraval, Claire Bonnefoy
Written by Mathieu Naert, Stephan Castang
Starring Karim Leklou, Vimala Pons, François Chattot, Karoline Rose Sun, Emmanuel Vérité, Hervé Pierre, Raphaël Quenard, Pierre Maillet, Sébastien Chabane, Ulysse Genevrey, Anne-Gaëlle Jourdain, Yoann Gasiorowski, Imer Kutlovci, Jean-Henri Chaize
Music by John Kaced
Cinematography : Manu Dacosse
Edited by Méloé Poilleve
Production companies : Arte France Cinéma, Frakas Productions, Capricci Production, Bobi Lux, Auvergne Rhône-Alpes Cinéma, Gapbusters, Wild West
Distributed by Capricci Films (France)
Release date : November 15, 2023 (France)
Running time : 115 minutes

Viewed on July 14, 2023 (press screener obtained at fantasia festival)

Mulder's Mark: