Concert - Dasha Lights Up Paris: A Country-Pop Revelation at L’Alhambra

By Mulder, Paris, L'Alhambra, 02 july 2025

On July 2, 2025, the Parisian concert scene was graced with the raw, magnetic energy of Dasha, who brought her vibrant blend of country-pop to the intimate stage of L’Alhambra. From the moment the lights dimmed and the first notes echoed through the venue, it was clear the night would be one to remember. The sold-out show drew a crowd of about 800 fans, many of whom had discovered her through the viral success of Austin (Boots Stop Workin’), but who stayed — and sang along — for the full range of emotional, anthemic, and deeply personal songs she delivered. What unfolded was more than just a concert: it was a revelation, a display of charisma, talent, and the unmistakable presence of an artist on the rise.

The evening opened with a warm, familiar buzz. The crowd, mostly in their twenties and thirties, some in cowboy hats and boots, others just there for the music, welcomed her with thunderous applause. When Dasha finally stepped onto the stage around 9:30 PM, clad in a rhinestone-studded outfit and radiating Southern charm, she immediately set the tone for the night. Her set was crafted with care and balance, shifting between upbeat tracks and stripped-down emotional ballads that showcased her vocal range and storytelling ability. The opener, Ain’t No Friend of Mine, sent a jolt of energy through the room, while Heartbreaker from Tennessee had the audience swaying with raised phones, capturing every moment.

Midway through the concert, Dasha offered a surprise: two brand-new songs that had never been performed live before. These unreleased tracks were met with a blend of curiosity and instant adoration, the kind of reaction that affirms an artist’s power to connect beyond the confines of studio polish. But it was the familiar songs — Way Too Drunk, Not at This Party, and the especially moving Even Cowboys Cry — that brought the house down. During the latter, she ditched the backing band for a haunting acoustic version, sitting on a stool under a single spotlight. You could have heard a pin drop. It was a masterclass in vulnerability, and many in the audience were visibly moved.

One of the defining traits of the evening was Dasha’s candid rapport with the crowd. Between songs, she shared heartfelt anecdotes — stories about heartbreak, growing up, and chasing music dreams across state lines. At one point, she talked about her whirlwind journey from posting snippets on TikTok to standing under the Parisian spotlight, overwhelmed by the city’s embrace. That genuine gratitude, paired with her unpolished humor and fiery delivery, turned the performance into a shared experience rather than just a show. She wasn’t performing to the audience — she was with them, and it made all the difference.

Toward the end of her set, the mood amped up once again. Bye Bye Bye had everyone dancing, and when she launched into What Happens Now?, the crowd sang every word back louder than the PA system. The final number, naturally, was Austin (Boots Stop Workin’), the breakout hit that put Dasha on the map. The venue pulsed with stomps and claps, phones waved in the air, and even the bartenders at the back stopped what they were doing to join the moment. As she waved goodbye, visibly emotional, the crowd roared in appreciation, demanding an encore that never came — and maybe that’s what made it so powerful. She left them wanting more.

In a city known for embracing a wide spectrum of music, from classical to rap, Dasha’s country-pop resonance stood tall and proud. Her performance at L’Alhambra proved that she’s not just a viral phenomenon or a one-hit wonder. She’s a grounded, gutsy performer with a voice that can both command and comfort, and with songwriting that wears its heart unapologetically on its sleeve. If last night was any indication of what’s to come in the rest of her tour, then fans across Europe are in for something truly special. Paris, on that July night, was lucky to witness it.

You can discover our photos in our Flickr page here

Photos : @fannyrlphotography