Premiere - September 5: A Memorable Paris Premiere for Tim Fehlbaum’s Riveting Historical Drama

By Mulder, Paris, UGC Danton, 21 january 2025

On the evening of January 21, 2025, the highly anticipated film September 5 made its Paris premiere at the UGC Danton cinema, captivating an audience that included critics, cinephiles. The event was graced by the presence of director Tim Fehlbaum and cast members John Magaro and Zinedine Soualem, whose insightful introduction set the stage for what proved to be an unforgettable cinematic experience. The succinct yet compelling presentation shed light on the film’s meticulous production process and the challenges of authentically portraying one of the most harrowing moments in modern history. The evening’s ambiance was electric, underscoring the film’s relevance and emotional impact.

September 5 directed and co-written by Tim Fehlbaum, is a 2024 historical drama thriller that delves into the tragic events of the 1972 Munich massacre through the eyes of the ABC Sports crew tasked with covering the crisis. Starring Peter Sarsgaard, John Magaro, Ben Chaplin, Leonie Benesch, and Zinedine Soualem, the film takes viewers behind the scenes of live television broadcasting during an unfolding global tragedy. The narrative follows Geoff, an ambitious young producer eager to impress his legendary boss, Roone Arledge, while navigating the moral dilemmas of real-time reporting alongside his interpreter Marianne and seasoned mentor Marvin Bader. The story masterfully blends intense drama with a thought-provoking exploration of journalistic ethics and responsibility. Through its richly detailed characterizations and gripping narrative arc, the film underscores the tension and ethical dilemmas inherent in live news reporting, especially during moments of intense crisis.

The film’s journey to acclaim began with its world premiere at the 81st Venice International Film Festival on August 29, 2024, where it earned widespread praise for its direction, screenplay, and performances. Critics lauded Fehlbaum’s ability to juxtapose the tense, unfolding hostage situation with the intricate dynamics of live television production. The film’s innovative use of archival footage from ABC’s 1972 Olympic coverage further underscores its commitment to historical authenticity. Following its success at Venice and Telluride, September 5 has become a strong contender for awards season, securing a nomination for Best Motion Picture – Drama at the upcoming 82nd Golden Globe Awards. The Paris premiere reinforced the film’s growing reputation, offering audiences an intimate look at its powerful narrative and meticulous craftsmanship.

The Paris premiere highlighted the film’s ability to resonate with contemporary audiences, drawing attention to the ongoing debates about media ethics and the responsibilities of news organizations during crises. The 1972 Munich Olympic Games, where Israeli athletes were taken hostage, marked a turning point in global media history, with over a billion people worldwide following the events through live broadcasts. By revisiting this pivotal moment, September 5 invites viewers to reflect on the evolution of news coverage and the fine line between informing the public and sensationalizing tragedy. Tim Fehlbaum’s vision is evident in the film’s ability to evoke a deeply emotional response while prompting critical discussions about the role of media in shaping public perception. Through its exploration of the moral complexities faced by journalists and producers, the film offers a compelling examination of how information is disseminated in times of crisis.

Produced by a stellar team that includes Philipp Trauer, Sean Penn, and Thomas Wöbke, the film is brought to life through the cinematographic expertise of Markus Förderer and the evocative score composed by Lorenz Dangel. The collaborative efforts of renowned production houses such as BerghausWöbke Filmproduktion and Constantin Film ensure a polished and impactful presentation. Every aspect of the production, from the detailed set design replicating ABC’s broadcasting facilities to the nuanced performances of its cast, contributes to the film’s immersive quality. With a runtime of 94 minutes, the film’s tightly woven narrative and immersive storytelling keep audiences engaged from start to finish, delivering an experience that is as thought-provoking as it is emotionally resonant.

After a limited U.S. release on December 13, 2024, September 5th was extended to a wider audience on January 17, 2025. The Paris preview gave French audiences their first glimpse of this gripping drama, cementing its reputation as the must-see film of the season. The evening's debates not only celebrated the film's artistic achievements, but also underlined its relevance in today's media landscape. As we left the UGC Danton cinema, many spectators were visibly moved, testifying to the film's ability to leave an indelible mark. As a work of art and a cultural touchstone, September 5 is a poignant reminder of the power of the media to inform, influence and inspire reflection on the complexities of human history.

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Synopsis : 
September 5 takes us back to the event that changed the media world forever, and continues to resonate today as news, live coverage and control of the airwaves remain the subject of much debate. The film takes place during the 1972 Munich Olympic Games, when the American television crew is forced to suddenly interrupt the broadcast of the competitions to cover the live hostage-taking of Israeli athletes. An event followed at the time by around a billion people worldwide. At the heart of the story, ambitious young producer Geoff wants to prove himself to Roone Arledge, his boss and legendary TV director. Together with his German colleague and interpreter Marianne, and his mentor Marvin Bader, Geoff finds himself confronted with the dilemmas of all-news and morality.

September 5
Directed by Tim Fehlbaum
Written by Moritz Binder, Tim Fehlbaum, Alex David
Produced by Philipp Trauer, Thomas Wöbke, Tim Fehlbaum, Sean Penn, John Ira Palmer, John Wildermuth
Starring  Peter Sarsgaard, John Magaro, Ben Chaplin, Leonie Benesch, Zinedine Soualem
Cinematography : Markus Förderer
Edited by Hansjörg Weißbrich
Music by Lorenz Dangel
Production companies : BerghausWöbke Filmproduktion, Projected Picture Works, Constantin Film, Edgar Reitz Filmproduktion
Distributed by : Paramount Pictures (United States), Paramount Pictures (France)
Release dates : August 29, 2024 (Venice), December 13, 2024 (United States), 
Running time : 94 minutes

Photos and video : Boris Colletier / Mulderville